I’ve been poking around the verges of reality lately, investigating concepts and themes I don’t usually get to explore in the fantasy genre I predominantly work in. I somehow managed to miss Unknown Armies for two decades, but after skimming through a 1st edition I acquired from the FLGS a few years back, I’ve fallen for the game—hard. It scratches all the right itches that Mage: the Ascension never touched, and I’m leaning heavily towards running a short UA campaign as a mid-year break from our ongoing The One Ring game.
With that in mind, I revisited a mini-series that aired on the Sci-Fi Channel back when it was still called that. This three-part series was The Lost Room, a show I think myself and maybe six other people in the entire world knows about. As such, I thought I’d showcase it in brief here.
The Lost Room is about a number of mundane objects that acquired mystical powers through a mysterious event that happened in a motel room back in 1961, the aforementioned “Lost Room” of the title. These items, called simply enough “Objects” by those who know of them, have spawned a number of secret cabals, occult underworld brokers and researchers, and addicts who’ve paid horrible costs to acquire and keep an Object. Their powers vary greatly: a wristwatch cooks a hardboiled egg in a minute if it’s placed within the band, while a fake eye can destroy or recreate living flesh.
The story begins when Pittsburgh police detective Joe Miller (not the other detective of the same name on another SyFy series), played by Peter Krause, investigates a pawn shop deal gone bad where several people ended up dead over a motel room key. Miller soon finds himself in possession of that key and discovers if it’s placed in the lock of any door, that door opens to a 1960s motel room somewhere in the American Southwest. The key’s owner can then use the room to travel to any other location in the world.
Things quickly go wrong as Miller learns that the key is not only highly sought after by a number of the occult underworld’s movers and shakers, but also suffers a personal tragedy through an accidental use of the key. He’s soon on the run, trying to correct a horrible mistake and discover the truth behind the Objects’ origins.
I’m a fan of the occult underworld theme, the idea of secret cabals moving behind the scenes of modern America. The Lost Room could easily exist in the same universe as Clive Barker’s The Great and Secret Show or The Lord of Illusions, or be a case John Constantine gets drawn into. For a modern occult RPG, the entire plot could be lifted with little effort on the part of the game master and used whole cloth as the basis for long-term campaign. I’m actually leaning in that direction at the moment for the Unknown Armies game I’m plotting out. The fact that pretty much nobody knows about this series means your players will consider you a genius for coming up with such a complex and mysterious campaign spine that keeps them busy and engaged hunting down MacGuffins, dodging shadowy cabals, dealing with broken people whose lives have been destroyed by the Objects, and trying to find the cause of the event that created them.
Unfortunately, The Lost Room remains lost in the world of streaming video and isn’t available through the usual subscription services. Nobody has uploaded the entire series onto YouTube either. You’ll have to fork over $10 to purchase the three-DVD set, but that’s a fraction of the cost of a solid RPG sourcebook these days and you’ll find just as much as weird inspiration in those three disks as you’ll find in an urban occult splatbook at four times the price. If you check it out, let me know what you think. I suspect if we share similar tastes, you won’t be disappointed.